Lets see The Equalizer 2
## Meet at 20.15##
This time around, it seems that, like most people, McCall has been forced out of the retail industry and is now a Lyft driver. Happily, this still allows him to come across unsavory characters and brutally dispatch them as payment for their misdeeds. He even gets the occasional off-the-books freelance assignment from Susan—the opening sequence has him destroying a group of kidnappers on a train bound for Istanbul. For the most part, however, he seems to be in a bit of a lull as his current projects—trying to help an elderly Lyft customer (Orson Bean) recover a painting stolen from his family by the Nazis and mentoring a neighbor kid, Miles (Ashton Sanders) by encouraging him to paint a mural instead of dealing drugs—do not require much stabbing, shooting or neck-breaking. That all changes when Susan goes off to Belgium to look into the mysterious murder-suicide of a high-level agency contact and meets an ugly end. This makes things—Spoiler Alert!—personal, and McCall is soon on the case utilizing his extraordinary intuition and impeccable killing skills to track down Susan’s killers and wipe them out.
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