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Stacy Kent live in Hong Kong 2018

Hosted by the Consul of the Hong Kong Jazz in the Spot Group
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Took place 2 months ago
Mon 24 Sep 20:00

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Stacey Kent is a jazz singer in the mould of the greats, with a legion of fans worldwide, a host of honors and awards including a Grammy nomination, album sales in excess of 2 million, Gold, Double-Gold and Platinum-selling albums that have reached a series of No. 1 chart positions during the span of her career.

Her most recent release, “I Know I Dream: The Orchestral Sessions”, (Okeh/SONY) has received glowing reviews, including a coveted five stars in Downbeat, won ‘Album of the Year” in the vocal category at the Protected content Japan Awards, and was described by All About Jazz as “intoxicating understatement at its finest..one more jewel in a discography with many, it's one that deserves singling out for its luster.”

Raised on the east coast of the USA, this comparative literature graduate with a musical bent, travelled to Europe to further her studies. After receiving her degree from Sarah Lawrence College in NY, through a series of twists of fate, she found herself in London where she enrolled in a graduate music program at the Guildhall School of Music and Drama and where she met her future husband and musical partner, Jim Tomlinson.

Kent's musical journey began in her childhood with piano lessons. An unusually keen ear and true voice lead her to participate in school musical productions, and she could often be heard singing at impromptu musical events in the college's cafe. However, nothing suggested the shift in career that has propelled her to international recognition. With a catalogue of 11 studio albums including the Platinum-selling, GRAMMY-nominated 'Breakfast On The Morning Tram' (EMI/BLUE NOTE Protected content an impressive list of collaborations, Stacey has graced the stages of more than 50 countries over the course of her career. Kent paid her dues in the jazz clubs of London, before releasing the first of a series of 6 albums, 'Close Your Eyes' Protected content , for the the Candid label. Her second album, 'The Tender Trap' Protected content her to the attention of jazz audiences in the USA when ‘CBS Sunday Morning’ and NPR's 'All Things Considered' featured her. After that, albums and awards followed. Let Yourself Go, a celebration of Fred Astaire was released in Protected content , ‘Dreamsville' Protected content to Stacey being awarded the Jazz Vocalist of the Year in the 'BBC Jazz Awards'. 'In Love Again', a collection of Richard Rodgers songs followed in Protected content . 'The Boy Next Door' Protected content Stacey's last Candid release and her first album to achieve Gold status.

During this period, Stacey cemented her reputation as a singer capable of putting a distinctive stamp on an impressive repertoire of standards. Her ability to communicate emotion through a nuanced and minimalist approach was showcased on Jim Tomlinson's album, 'The Lyric' (Token) which was awarded Album of The Year at the ' Protected content Jazz Awards'. This album brought her to the attention of Blue Note records with whom she signed in Protected content . With each successive album, Stacey's style has become more honed as her artistic outlook has broadened. Her search for songs had led her to look beyond the Great American Songbook, with French chanson and Brazilian music forming an ever-larger part of her repertoire.

Stacey’s repertoire includes a growing number of songs written for her by Jim Tomlinson with various lyricists, most notably the Nobel Prize-winning author, Kazuo Ishiguro. The idea of singing original compositions came up during a lunch with Ishiguro. The conversation turned to music and repertoire and the idea was hatched to write a series of songs for Stacey that distilled themes of memory, travel and love, that so frequently surfaced in her repertoire. From this conversation, the songs for 'Breakfast On The Morning Tram' were conceived. Almost overnight, Stacey transformed from being a singer of the Great American Songbook, to a singer with a highly distinctive and personal repertoire. The first collaboration between Ishiguro, the lyricist, and Tomlinson, the composer, 'The Ice Hotel', won first prize in the International Songwriting Competition song. Since then, all of Stacey's albums have been punctuated by original songs composed by Tomlinson with a variety of lyricists in English, French and Portuguese.

Kent has continued to pursue a frenetic recording and touring schedule. Her first album for Blue Note was followed in Protected content the Gold-selling, all-French, 'Raconte-Moi'. She was invited to perform an all-French program at the Francofolies Festival and was awarded the Chevalier Dans L'Ordre Des Arts et Des Lettres. Her first ever live album, 'Dreamer In Concert' (EMI Protected content , was followed by 'The Changing Lights' (Warner Protected content , which more than any other album, reveals the ever-present influence of Brazil in Stacey's music.

Visiting Brazil for the first time in Protected content perform at the TIM Festival, Stacey vowed not to return until she spoke Portuguese. True to her word, she enrolled with Jim on the Middlebury College Summer Schools immersion program, where she had previously studied French, Italian and German. She returned to study the following two summers and now counts Portuguese among the other languages that she already speaks. On subsequent visits to Brazil, she met many of her musical heroes, including Marcos Valle , Edu Lobo and Roberto Menescal. She has recorded with both Valle and Menescal, having been invited to record with Valle to celebrate his 50 years in music on the album, 'Ao Vivo' (Sony Protected content . A DVD and documentary of their collaboration and friendship was released in Protected content .

With Roberto Menescal, Stacey recorded ‘Tenderly' (Sony Protected content , an intimate collection of standards that showcases her crystalline voice and Menescal's warm guitar. Jazzwise Magazine referred to the album as "an extremely beautiful meeting of minds” It is Menescal's only recording as a jazz guitarist and demonstrates the debt he owes to the great Barney Kessel. As Kent's first standards album in a decade, it shows her increasingly impressive and maturing interpretative gifts.